Collections
Six lines, each with its own brief
Named, not numbered. Every line began as a problem someone brought to the workshop.
Ritzlane collections are recognised by name, not by number. Every one began as a problem someone brought to the workshop — a terrace that took the afternoon sun, a balcony too narrow for a table — and the name carries that brief.
Collection
Wicker
The weave that started it all
Wicker is where Ritzlane began. Hand-woven all-weather fibre over a powder-coated aluminium frame, worked by the same weavers who have been with the workshop since the first pieces left Vadodara. The weave is tight enough to hold its shape through a decade of monsoons and open enough to breathe in forty-degree heat. Every piece is woven to order, which is why no two are quite identical and why the frame outlives the fashion.
Explore Wicker · 3 pieces
Collection
Corbett
Built for the long season
Named for the forest, Corbett is the most robust line in the catalogue — heavier sections, deeper seats, and a rope weave that takes a grown adult without a sound. It was designed after a hotel client asked for something that would survive a decade of guests who do not own the furniture. The proportions are generous rather than delicate, and the teak is left to silver naturally unless you ask otherwise.
Explore Corbett · 2 piecesBuilt for the long season
Collection
Nordiq Forest
Quiet lines, warm materials
The most restrained line Ritzlane makes. Nordiq Forest strips the silhouette back to a slim teak frame and a single sweep of webbing, with no visible fixings anywhere on the piece. It is the collection architects specify most often, usually because it disappears into a scheme rather than competing with it. Every joint is mortise-and-tenon; there is not a screw in the frame.
Explore Nordiq Forest · 2 piecesQuiet lines, warm materials
Collection
Luxury Collection
The pieces we make when nothing is fixed
The Luxury Collection is where the workshop works without a standard specification. Sintered stone tops cut to a drawing, fabrics sourced against a swatch the client brought back from Milan, dimensions set by the room rather than the catalogue. Every piece here is quoted individually because none of them exists until it is ordered.
Explore Luxury Collection · 1 piecesThe pieces we make when nothing is fixed
Collection
Sunrise in Desert
Made for heat and light
Developed with the Gulf in mind. Sunrise in Desert uses the palest frame finishes and the highest-rated performance fabrics Ritzlane sources, because a piece that sits in forty-five degrees under direct sun all summer is a different engineering problem from one on a Vadodara terrace. The rope is UV-stabilised to 5,000 hours and the cushions dry in under an hour.
Explore Sunrise in Desert · 2 piecesMade for heat and light
Collection
Zen Garden
Low, level, unhurried
Zen Garden sits closer to the ground than anything else in the catalogue — seat heights are 38 cm rather than the usual 43 — and the effect on a terrace is immediate: the horizon opens up and the space reads larger. It was developed for a rooftop in Ahmedabad where the client wanted the skyline, not the furniture.
Explore Zen Garden · 1 piecesLow, level, unhurried
Not sure where to begin?